Monday, 21 January 2019

1990.04.03 Graeme Park @ Haçienda Manchester

Can you believe that it is now over twenty one years since the Haçienda shut it's doors? Twenty one years! Yet the place still holds fascination for clubbers of all ages and nationalities.  Haçienda regulars, employees, DJ's musicians, innovators, designers and artists continue to keep the legacy alive with Facebook pages, websites, blogs, clothing, records, orchestrated dance nights, posters, badges devoted to the club - I could go on and on.  Perhaps this dedication is a bid to keep that party going, keeping that shared experience alive, rebuilding the Haçienda!

A couple of years ago I came across something a little special that took the biscuit.  I can still recall the restlessness that I felt at that moment.  I had to experience this!  I was captivated, intrigued and curious.  A friend had called to let me know about an exhibition in Manchester where the "Haçienda has been rebuilt!"  Excited is not the word.... Once again, I was like a cat on a hot tin roof! "What? Where? When?  My first thoughts were that the club was being recreated - perhaps similar to the rebuild for the film 24 hour party people! Sadly I was wrong, however not disappointed. The Haçienda was being rebuilt in a different way! Manchester here I come!


In life, there are devotees and there are devotees!  This was something else.  2012 was witness to Manchester and the Haçienda celebrating it's 30th Birthday - XXX.   As part of the celebrations Nick Hardy, a Haçienda regular, Model Maker, 3D Installation Artist constructed a model that was a focal point to many celebratory events throughout the city.  It just blew me away!   Taking several years to research, develop and build, Nick produced an incredibly realistic 1:50 scale model of the Haçienda!   Just looking at it not only brought back experiences,but also memories, it evoked feelings and emotions of those heady times where we were lost in the party!

   
The 1:50 scale model faithfully replicates the dance floor, the DJ booth, bar, alcoves, loading bay doors and projector screens.  It doesn't stop there either; tables, chairs, the Kim Philby bar stacked with beers, luminous fire exits and even glass apex roof are faithfully reproduced.  Once again I could picture myself buying a tray of chips and can of Fanta in the cafe or a bottle of Purdys or grabbing a free pint of cold water from the main bar just as I once had so many times before and so many moons ago!   I could see myself standing at the stable door behind the DJ booth pestering Jon DaSilva for the name of a tune he was playing (sorry Jon!).  I could see myself there sat on the stage as I had experienced so many times before.  Chatting, people watching, foot tapping as we watched the last of the daylight shining through the glass roof wane and the tide of beats flow over us. Looking up drops of condensation would spray  us from above, dripping through an array of pulsating colours and sound splashes, finally drowning out the harsh daylight and replacing it with soft blurry dry ice smouldering as the ecstatic, pulsating BOOM, BOOM, BOOM, BOOM of four to the floor beats grabbed us and carried us forth into the excesses of the night - 'house music all night long, on and on; on and on!'    At that moment, standing looking at the model in Manchester Library,  I was there once more, in the Haçienda, albeit for a brief moment.  It was magical.   Nick Hardy, I celebrate your enthusiasm, your passion, the amazing talent and skill that you have in recreating the Haçienda - Thank you!... I told you it was fascinating.  



Haçienda postcard set.

 One of the most wonderful things about the model though, is, that it faithfully replicated the original design by Ben Kelly (Haçienda designer) himself! The colours, attention to detail and scale were perfect and accentuated by apertures that enabled you to view the interior from so many different angles!  It draws you in, holds you and lets the past envelop the present as you imagine you are actually there in the model experiencing it as you did all those years ago! You find yourself blending into the model.  All this without the frisking and disco sludge too!

Images of the model have been captured and reproduced in a high quality postcard box.  The images show different aspects from inside the model and in my opinion capture the moments that were part of our lives.  I find myself losing all reality of time when I look at them, I am lost in the moments from all those years ago and have to tear myself away to rejoin reality!   See for yourself in the images below.   My favourite has to be the first card below.  Take a cheeky peek into the kiosk and see who is looking back at you!  




On the back of each postcard the onlooker is provided with real-life quotes, antidotes, memories, and glimpses of how the hacienda has had an impact on the people who worked and clubbed there.  They provide us with a snapshot into a world that existed, albeit for the briefest of moments , yet demonstate the scale of the impact the Haçienda had on us.  They show just how fascinated we have become with the coolest club in history.... 'the Haçienda Has Been Rebuilt'.


Just by looking at these two card, I can see myself dancing, walking, talking, sharing water, flirting, loving life and living for the night  I can hear the cheers, the hand claps, the music, the laughter.... as I said earlier I am blown away and no-one can take that away from me. 💓


To enjoy the cards, take a gaze into the history of the club and read more for yourself  take a moment to visit Nick's website and make a cheeky purchase and to quote Nick himself:

"ENJOY TO EXCESS" 


I thought it quite apt to end this post on a quote from one of the postcards.  This is what the Hacienda meant to Fran from Northampton, Haçienda regular from 1988 - 1991
 "For me it was pure dance music indulgence.  I loved it.  I miss it; but so glad I have the memories"
I sincerely hope Fran somehow reads this and I thank her for her words.  I know exactly what she means.    This download is for Fran x 😊 



Friday, 11 January 2019

1992.06.24 Tim Lennox @ Flesh Night, Haçienda, Manchester

What can you say about a night called FLESH!  The name itself provokes, intrigues and tantalises the imagination  to say the least!  The actual night went far beyond the images conjured up by the name though!  Hedonism, Excess, Debauchery, Sex, Queer as...... you kind of get the message!  Just say the name out loud, "FLESH" and you will understand where I'm going with this!

Early on in it's history, the Haçienda had put on a Gay night.  However these were not successful, and were reportedly to have been small affairs that attracting around 100 people..  The low attendance was probably not helped by it being held on a Monday!  Early flyer's such as the one below promoted 'G.A.Y Monday' but perhaps made it appear to be more of an indie night. It seemed far too low key compared to the imagery and approach that was to come eight years later! 


FLESH was the idea of Paul Cons.  Paul, who was Entertainment and Promotions Manager at the Haçienda felt that the time was right for a Gay and Lesbian night in Manchester.  The summer of 1991 had been witness to a highly successful event called the 'Lesbian Summer of Love' attracting 800 people.  Manchester was still high after the Acid House Summers of Love in the late 1980's and Manchester was still getting on one from the baggy grip of 'Madchester' in 1990 albeit the jeans a little faded and fraying round their blurry edges! The scene was now set for something a little different. 😍

FLESH was to change the clubbing scene in Manchester out of all recognition! Established in October 1991, it seemed surprising that Paul should chose the Haçienda over any other venue but what a decision it was.  An 'In Your Face' advertising campaign left you in no uncertain terms as to what the night was to deliver, with the phrase 'Queer Up North' leaving no second guesses as to who the nights were aimed at!    

  

'Queer Up North' was definitely a very clever play on words!  To many (and in my opinion - falsely!) Manchester at that time was viewed as a drab, dreary, dingy place, with it's cold rainy streets, run down buildings and dark, shady avenues that existed comfortably with the term its 'Grim Up North'.  The emerging Gay and Lesbian scene seemed to rip this outdated stereotypical image of Manchester and the North apart and was to send it screaming on a wave of hedonistic energy that was to change the scene and Manchester forever. Binning the clogs, it was now on with the disco shoes!  Pure marketing brilliance and I would love to know if it was a deliberate strategy or just chance...  but it definitely worked.




FLESH was to rapidly gain a reputation as one of the nights that you had to go to and it certainly wasn't easy to get into either. Open on the last Wednesday of each month, a strict door policy was in place to deter trouble and create the right vibe for the night. It was one that probably prevented many an individual from getting in or even attempting to get in too!  Aimed at Gay and Lesbian clubbers, who travelled from far and wide to experience the nights delights, FLESH was soon was to attract straight clubbers too.  Boundaries were beginning to be broken down!  Clubbers who wanted to party at the best nights found themselves being rigorously vetted and many people found themselves not getting in!  It was not only straight people who stuggled to get in too!


Throughout 1990 and 1991, Manchester had quickly become a focus for clubbers and this had now spilled over into an emerging Gay and Lesbian scene which now blossomed.    It was here that we would often start our Saturday nights drinking at a vibrant and colourful place called Manto Bar or Mantos as it was known to us!   Located just off the City Centre, we would find ourselves in the heart of the pulsating Gay Village along the aptly named Canal Street.  Here we would spend our early evenings drinking outside, enjoying the warm evening nights listening to House beats and taking in the atmosphere in anticipation of the night ahead.   The village was vibrant, it was alive and it added the colour and energy to what was once a vast drab wasteland of warehouses, buildings and polluted waterways that stamped on us memories of Manchester's Industrial past. Now there was a new dawn, a new feel to the City, a new Cultural revolution was replacing it's faded Industrial heritage.   Change was afoot.   

The Gay Village is a cluster of bars restaurants and clubs that for me felt more European than the traditional drinking holes of Manchester. For me, it had a holiday kind of feel to it. Modern looking facades where full length windows opened fully enabling revellers to spill onto the streets,  where people could socialise, sit amongst the trees that lined the cobbled street along the canal and it meant we could enjoy relaxed and good times.  Images of Amsterdam, Paris and Liege come to mind where people now approached life in a more leisurely manner which juxtaposed the fast paced aggression of city life that went on a few blocks away, it felt safe and refreshing!      For me it was the colourful hedonistic space that enabled clubbers to get on with the party.  A new, fresh energy was emerging that perhaps only Manchester could provide and we didn't give a damn, it was there and we were going to enjoy it!   Walking up Canal Street, heaving bars provided us with pumping pounding house music, exhibitionism and a private almost exclusive space away from the monotony of traditional City nightlife. It was little wonder that Canal Street  soon began to attract clubbers who wanted a safe start to the night, one where we were away from the beer boys and larger louts who wanted to fight.  We mingled and enjoyed the party atmosphere that was quickly being to establish a fresh scene. The added bonus was that, it was a stones throw from the Haçienda too - ideal!

 Manto on Canal Street!

What has this got to do with the Haçienda I ask of myself as I type?   Out of the emerging party scene, Manchester soon acquired a new label that was to replace the tiring Madchester image. Typical of the overground press, always seeking to categorise everything, label anything, perhaps in a bid to understand what was going on and perhaps to a degree, to control the things they don't understand! The term 'Gaychester', was coined.    It would be fair to say that, as this new Gay and Lesbian scene began to flourish; spreading it's rainbow wings, there was a new level of acceptance and confidence coming through. Diversity began to be celebrated, something we even now we need far more of!  Paul Cons recognised this and believed that the time was right for a new Cultural space in the City and soon a night began, that, was simply to become.... Legendary!   Indeed people travelled from all over the county if not the world to attend and experience it's delights!  FLESH was certainly not going to compromise anything either.... FLESH was a night billed as 'Serious pleasure for Dykes and Queers' you either got on for the ride or did one!  FLESH was in your face for sure,  and fortunately for Manchester the City went for the ride! What a roller coaster it was going to be....





I went only once. I wish it had been more!  I recall the wild, eye-opening, extreme, decadent, sexy, fun, beautiful, funny, ecstatic, outlandish, hedonistic, debauched, indulgent, pleasure-loving orgy of clubbers and partying; the gold, silver, lace, leather and oh yes! FLESH!  These are still images I visit when I think back to that wondrous hot night.  Believe me though, my list does not do the night justice and there are people who are far more qualified to pass comment than me!  All I know is we went, we danced we had fun and we experienced one of the best nights we had ever had. What more can you ask for!  To hear one of those nights again perhaps? Relive the atmosphere, the memories?


FLESH DJ's included Tim Lennox, DJ Paulette and Kath McDermott who literally rocked the floor and their skill and reputations easily matched those of Park and Pickering    Both Tim and Paulette gained their reputations at the infamous Number 1 Club amongst other venues. Soon they both were to  DJ on radio stations in Manchester and London.  Tim produced the excellent 'Saturday Night, Sunday Morning' club hit under the guise of T-empo and Paulette was to take a residency at Heaven in London!  Kath cut her DJ teeth at FLESH, which led afterwards to a career in radio as a producer!   For me they were Cultural icons. They were instrumental in creating a new space where all clubbers could go to party.  It put the Gay and Lesbian scene in Manchester firmly on the map and enabled a generation to flourish to come out and own the party!   For me, it seemed that for the first time gay and Lesbian clubbers shared the same dance floor, and it appeared that there was a cultural revolution was happening, a fresh energy taking over and  Diversity was flourishing. And it started at the Haçienda.    I do like boundaries being broken down.  Manchester had now shed its 'Grim Up North' shackles and embraced a Diverse New Order!



Flesh DJ sets are as rare as hens teeth!  Until now!   I hope you take the time to download the set using the link below.  Turn your speakers up, don your disco socks and experience 90 minutes from one hot, hedonistic House night that happened deep in the heart of Manchester, at the Haçienda. A night called FLESH that changed lives! 💓   

To download - click the link and Enjoy!






The flyer from the final FLESH night

Friday, 4 January 2019

1991.05.11 Graeme Park @ Haçienda Manchester

 There was a point in time when the floor was literally ripped from beneath our feet! No, this is not about 1997, but about an event that happened in January 1991.  Imagine it, the floor being taken from under us!  It didn't seem feasible at the time! It happened though! 

 January is always a hard month.  The cold Manchester winter, the come down from the Christmas and New Year excesses, having to dig in pocket wise; most of us skint but still living for the night!  Then it happened!

 Granada News announced it one tea time. Tony Wilson was no stranger to reading the news but suddenly he was now making news!



 "It is with the greatest reluctance that for the moment we are turning the lights out on what is, for us a most important place.  
We are forced into taking this drastic action in order to protect our employees, our members and all our clients. We are quite simply sick and tired of dealing with instances of personal violence.
We hope and we must believe we can reopen the Hacienda in a better climate. but until we are able to run a club in a safe manner, and in a way that the owners believe will guarantee the role of the Haçienda at the heart of the city's youth community, it is with great sadness that we will shut our club." 
(Taken from How Not To Run A Club by Peter Hook - well worth a read too!)

 'What the $!&%!' Nooo!"   Post January blues somehow went a little darker. I'm not gonna lie but all I remember is the last line - "Shut our club!"  Gutted is not the word. I mean we had just been given a red and black enamel FAC51 badge and membership card applications a couple of weeks earlier the latter a bid to control the doors and appease the Magistrates! 





 Plus there had been repeated attempts by the Haçiendas' management to publicly project an image that action was being taken to control things inside the club as the statement below shows.  James Anderton Chief Constable in Manchester's Police Force was certainly rumoured to be making things difficult for the Haçienda and for ravers too come to think about it! All we wanted to do was be left alone to party!



 Questions, questions -  How? What? Why? When will it re-open?  Where will we go? So many questions not enough answers! All we knew was Saturdays will not be the same.   It is well documented as to why it shut the doors that cold January, gangland fighting, drug wars, apparently it had become too dangerous.  Certainly there were parts you didn't venture to, darker corners so to speak, an alcove or behind the DJ box - but this certainly hadn't been my experience. Yes, rumours were aplenty and if you happened to make eye contact you just smiled, looked busy and turned the other way and got on with your night.  Personally I had so many great nights and I didn't want them to stop!  However, we did understand their decisions and brave ones they were too.  Fingers were crossed that it would reopen. If memory serves me right, it was meant to be shut for a few weeks, a month max!  We waited and waited..... it didn't feel good at all.  Rumours were abound, and hopes were raised when someone mentioned it was getting an uplift!  All we could do was get on with our partying!

 The next few months were spent going to Ku in Huddersfield, we had some great all nighters there with Sasha.  Wakefield, Leeds and Warrington Legends became frequent haunts to with new friends, new experiences and broadening music tastes..... the good times continued!   Alas, without disrespecting any of the above, it wasn't the Haçienda!  It just wasn't the Haçienda!

 Then all of a sudden - OMG! YES...... I recall a phone call from my friend in Manchester with the sweetest news to tell. Noooo! it just can not be true!  After a frosty Spring of weekends spent venturing up and down the North West's motorways and across the Pennines the announcement came.    The moment we had waited for.



Bring it on!  The Haçienda was re-opening and in time for the Birthday too!  If I recall correctly, our hallowed nightclub had been given a lick of paint, a bit of a revamp, it looked vibrant and in a bid to tighten security had added an airport type metal detector.   Certainly body checks were the order going in and from then on! Some of the changes are described below in a newspaper article from the 10th May highlighting the opening night billed as the 'Healing'.  





However it was the 11th May, a Saturday, the night we had been waiting for and gracing the decks was Parky. Good times! I cannot describe the buzz of that warm Spring night.  The queue was alive with the expectation of what was to come and excitement was high - we were back in business and on our way in to the Haçienda.   Naturally it was truly a great night and it was great to feel that raised sprung maple wood dance floor under our feet once again and dance the night away we did!   If you fancy hearing the set for yourself feel free to download!  Enjoy. 😋


I would like to thank the original owners for taking the time to share some of the images capturing this unique slice of clubbing history.

Tuesday, 1 January 2019

John McCready 1992.11.28 @ Haçienda FM, Sunset 102 FM Radio Show

 The Mançhester music scene has always led from the underground.  Bands, clubs, DJ's Labels, record shops and radio all fed off each other to produce an edge and an energy that, for me, no other city can replicate or comes close to replicating!  

 We lived for Wednesday night to come around when the weekend could begin with the midweek visit to hear Jon DaSilva grace the decks of the Haçienda riding high for the weekend ahead when we could bounce through those hanging industrial plastic sheets that resembled a factory entrance that met us directly after walking through those infamous '51' emblazoned doors.  

 I digress, but those hanging factory, almost slaughterhouse style ceiling to floor plastic strips served to dampen the relentless thump of the four to the floor house beats which sounds strange to experience when walking into a nightclub!  Yet, somehow, those imposing slaughterhouse style factory sheets served only to enhance the excitement of the clubbing experience! They added yet another layer of mystery to the night as we entered our hedonistic church! They masked what was happening on the other side. They imposed dampening the sound, cloaking the atmosphere and further hiding from the world a space that changed us for ever! Picture the delight as we pushed aside the industrial plastic,  the full force of heat and sweat swamping us, wrapping our physical beings in a heady, damp, hedonistic cloud of energy as the loudness of the beats lifted us, carrying us forward towards the cheers, the whistles and the excitement as we bounced towards the dance floor.  We grinned from ear to ear knowing what delights lay ahead for the next few hours at least!  Bring it on! How we longed for this to go on past its 2:00 am curfew! Still despite this we lived every moment to it's full!

 Somehow it could!  Manchester had a way of keeping this energy going, keeping the relentless beat alive, serving to make Manchester a true 24 hour party city serving its hedonistic 24 hour party people to the max!   Radio stations emerged out of this underground sound, replicating our weekend, yet without compromising or losing the edge that can traditionally happen as an underground sound becomes more popular!  Such was the talent of Mançhester's DJ's.

 One such radio station was Sunset 102. First airing as the embers of the Second Summer of Love' flickered away in October 1989.  Shows such as those from the 808 State DJ's, Mike Shaft and Colin Curtis continued to fuel our weekend experience by meeting the audiences' thirst for new music and the continuation of the previous nights party delights!   

 Of course pivotal to this was a show that aired for a few hours each saturday night.   Haçienda FM served us with a soundtrack to warm us up for our Saturday night clubbing experience.  Haçienda and Dry bar DJ's Dave Rofe and Pete Robinson took to the air building the night with tracks that delighted us, introduced forthcoming vinyl delights and aired a set from the previous weeks Haçienda DJ's taken direct from the club! The night was set...

 Blog51 is pleased to be able to share one such moment with you.  Enjoy as Dave and Pete take to the air and cap it off with a set from Mr McCready himself recorded live from the Gay Traitor in the Haçienda's basement  .... Happy New Year !



The document demonstrates how Sunset 102 FM shows were on the cutting edge representing the music scene of the day.... Priceless - how I long for radio like this now! x
 

Saturday, 10 September 2016

Tommy D Funk 1995 @ Dry Bar 201 Manchester

Emerging out of the blossoming House / Acid House scene in the late 1980's, early 90's was a DJ destined for a great future.  Tommy D Funk took his place as a renowned DJ playing as resident DJ at DRY Bar 201 - the Haçienda's sister bar, before subsequently progressing to take a weekly residency at the Haçienda and going on to international acclaim first Djing in Seoul and on to New York City!

Tommy began his DJ career with a residency in a Manchester pub where he was influenced by the emerging scene that had exploded in Manchester.  Tommy went on to win a DJ competition organised by DRY Bar 201 which helped establish him as a sought after DJ.  Playing deep, funky and soulful US/UK house music, his mixing skills and energy soon revved up the crowd and Tommy soon found himself gracing the decks of Manchester clubs such as the No1 Club, Sankeys and Home which soon brought him attention from Haçienda influencers such as Angela Matthews, Manager of the Haçienda!  The only way forward was a residency at Faç51.... the Haçienda! 

This set was recorded at DRY Bar 201 in 1995.  A superb vocal led House / Garage set with stomping pianos and lush house cords mixed to perfection, a perfect start to a night for clubbers before hitting the Haçienda!  Listening to the mix it is easy to see why Tommy was next to take his place behind the hallowed decks at the Haçienda alongside Graeme Park, Roger Sanchez and Tony Humphries to name a few.

Today Tommy is active on the New York House Scene, regularly playing alongside other great DJ's such as Eric Kupper, Marshall Jefferson, Kerry Chandler, Robert Owens, Lenny Fontana, CJ Mackintosh, Miguel Migs and DJ Disciple amongst many others!  Club credentials include DJing at The Discoteque, Cheetha Club, Late Late Bar, Le Souk, Barrio 47; along with his own Legendary nights 'Sounds of the Dance Underground'.  Tommy is also a reviewer for DJ Times and Club World Magazine....

For more recent mixes head over to Tommy's Soundcloud page by touching the following link: Tommy D Funk


Download : Tommy D Funk 1995 @ Dry Bar 201 Manchester Part 1
                 Tommy D Funk 1995 @ Dry Bar 201 Manchester Part 2





Special thanks goes out to Tommy for the DJ set... much respect!


Friday, 2 September 2016

Do You Own The Dancefloor?

Anyone who reads the warblings in my BLOG51 can see what impact the Haçienda has had on my life, there isn't a day where the place, the music doesn't enter my thoughts or ears!   It is easy to think that this is boardering obsessive and sometimes I do wonder about myself lol!  Not only have I amassed an array of tapes but also Haçienda merchandise, along with mementos such as badges, posters and flyers that are still highly sought after even today but there are some things that are just that bit more special.....

A few years ago a few Hacienda devotees asked a question;  'Do You Own The Dancefloor?' Subsequently they went on to make a film that in my eyes, hits the nail right on the head as to just what the scene was about!!   The film not only documents aspects of the Haçienda itself, the music and the design,  but also the passion, the energy and the devotion of the people, clubbers and instigators that made the Haçienda the phenomenon that it still is today.  In my eyes that is a special and rare thing......  see the trailer below......

To quote the makers of the film "In November 2000, many of the key elements from the iconic venue the Haçienda ended up as 69 lots at a charity auction before it was demolished to make way for a block of apartments. It resulted in parts of the nightclub - the epicenter of Manchester’s pop culture in the 1980s and 1990s – being scattered across the world.
As well as the auction, our film tracks down what happened to the parts of the club itself, whose famous industrial design by interiors guru Ben Kelly included motorway cat’s eyes, traffic bollards and hazard signs.

The documentary isn’t just about the Haçienda. It’s also about the people so affected by their times there, that they had to come to Manchester to bid for bricks, toilets, exit signs and even pieces of the hallowed dance floor – and also about where those mementos are now". 


Website: Do You Own The Dancefloor?

Every time I watch the trailer I get goosebumps.... a tear in my eye and a grin as wide as a Cheshire cat!  Emotions flow - It makes me feel sad due to it's closure and so elated as I was able to take part in the club that changed the world - enjoy!


Lovingly the  proceedes raised from the film go to Kidneys for Life & Cancer Research.

                                                                   
 
My piece of the dancefloor, some flyers from the shiva Saturday night in 1991 and a piece of the staircase trim plate



Thursday, 1 September 2016

David Morales 1993.05.21 @ Haçienda 11th Birthday Party

A timeless set from David Morales recorded at the 11th Birthday Party night back in 1993.  Seemlessly mixed and full of energy.  Morales played in the basement of the club; a dark, dirty and hedonistically sweaty room perfect for messing with the mind, body and soul! playing tracks from MAW, Todd Terry, Pfantasy and Marshall Jefferson to name a few.

To quote 'Trackhead' to whom I owe thanks for the original upload of this set 'Stripped to the waist, wearing a skull cap & tattooed muscles, Morales played street tough New York City house music, and there's lessons in here for modern DJs'.... Morales rocked and always will do!!

Sadly as far as I can recall, Morales never played the Haçienda again due to a joyless squirmish involving the throwing of a bottle!  At least we have this superb set to remind us how great these nights were, how Morales ruled the dancefloors and once again another Haç memory for us all to enjoy.

Download: David Morales 1993.05.21 @ Haçienda 11th Birthday


Morales captured in the mix in the basement DJ booth